system. Classes are small and individualized and the students' progress is based on their strengths and on the discretion of the teachers. The teacher-student ratio is about one-to-four, with the teacher concentrating on the strengths and weaknesses of every student.

Teachers cover rare ragas and rare kritis wherever it will aid the student. They also cover works by all of the major composers, including compositions by those great gurus who worked at Kalakshetra, like Tiger Varadachariar, Mysore Vasudevachariar, Budalur Krishnamurthi Sastri, and M.D. Ramanathan, who all shaped the way music is taught here.

Voice culture is an important aspect of vocal music teaching, with regular sruti exercises, aakaram, and regular repetition of basic exercises in many raagas. This helps students to produce correct notes at quick speeds.

Every vocal student must take an instrument as a subsidiary subject, apart from other subjects like the theory of music, study of the lives of great musicians, and shastras related to music. They also do field trips to Thiruvaiyaru and other places of interest for carnatic music. Yoga is commonly taught to all students in Kalakshetra and two out of three languages are compulsory-Sanskrit, Telegu, and Tamizh.

If a student takes an instrument like veena, violin, or mridangam as their main subject, then vocal music becomes their subsidiary subject. Apart from this, they follow the same syllabus as the vocal student. It is also possible to take dance or art as a second subsidiary subject.

Drama, which is part of the legacy of Smt. Rukmini Devi, our founder, is seen and can be appreciated around the year in the many festivals and performances held in the institute. Kalakshetra has a repertory company that performs extensively through the year. Dance and music students of the institute have the benefit of listening to the music of great stalwarts and seeing the choreography of Rukmini Devi who was perhaps the greatest choreographer of the previous century.

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